Sunday, March 09, 2014

Seattle: What I Learned Flying High Above the Clouds

I've been having so much fun with all the new guest artist series I've been hosting here on the blog and truly enjoying hearing from so many talented artists. It is humbling to know that each one believed my invitation to participate was worth their while.
This past Thursday night I had the pleasure of attending the opening reception for the two person show I participated in at Gallery IMA in Seattle. It was another step in my artistic journey, to be represented by this beautiful fine art gallery and see my work being so prominently displayed. There were many moments in the four days I was away that I had to remind myself how far I have come from the place where I first started to dream. First started asking myself "What if I could...." questions. 

"At The Touch of You" 20" x 20" x 2 5/8" collage on canvas by Crystal Neubauer
As I flew out of Chicago on Wednesday morning the snow was falling hard yet again. The sky was thick with gray clouds and the interstate had, surprisingly, not yet been plowed, making the drive to the airport a bit more treacherous then expected. 

It felt like yet one more challenge in a week fraught with challenges as I worked hard to wrap up several projects and meet important deadlines. But flying out of the snowstorm that morning it hit me, the sun is still shining above the clouds, I just needed to remember to look up!

But flying out of the snowstorm it hit me, the sun is still shining above the clouds, I just needed to remember to look up!

It seems that when the unexpected hits at the speed of life, it is easy to lose perspective. But walking around the gallery looking at so much of the wall space dedicated to my work and hearing the response of those attending the show, it hit me just how far I've come in such a short period of time. When looking at it from the big picture perspective, it feels like nothing short of miraculous. 

A miraculous step-by-step creative journey.
 "At The Touch of You" 20" x 20" x 2 5/8" Side detail collage on canvas by Crystal Neubauer
"At the Touch of You" Side detail 20" x 20" x 2 5/8 collage on canvas by Crystal Neubauer
Those four days away were a much needed break. I didn't rent a car and I walked a ton. I had time all to myself and regardless of the rain, I got outside to see the sights every single day.

No obligations. No distractions. Just time.

"Do I quit or keep going?"

Healing, rejuvenating, time to find answers to the question that has been weighing on me heavily this past month: "Do I quit or keep going?"

"Fallen" 10" x 10" collage by Crystal Neubauer
And, as typically happens when I'm able to get away from all the distractions and turn off the external noise, I got the answer - a still small voice whispering:

"Keep Going. Press in. Don't stop. Take your eyes off the gray skies, look up. Look above the clouds. And ask. Ask for the help you need. Don't try to go alone. You were never meant to go alone."

When I have the opportunity to connect with other people face to face in front of my work, I know that this journey isn't just about me.

Art is about everybody. It is about relationships and connections. It is about truth and freedom and discovery. It isn't a selfish act to be an artist. It is a pouring out onto the canvas with the very essence of the message you have been given.

It is about bringing hope to the hopeless. It is about finding and holding on to joy. And it is about love. Really it is all about love - receiving it and passing it along, from the canvas, to the spoken word, to the song. It is about linking arms and seeing the beauty in the midst of a sometimes painful world.

"That Love Would Have It's Say" 10" x 10" collage by Crystal Neubauer

This year I have opportunities beyond what I ever imagined would be possible. I have been contracted by North Light Books to write about the art of collage, and have just turned in the first half of my manuscript. New and exciting teaching opportunities continue to come my way,  both for the national venues and where my heart is - with teens. The gallery opening a few days ago, with promises of more, and shows that I never dared to believe would be open to me.

Next up is the American Craft Council show in St. Paul, Minnesota, just one month away. I am at the tipping point in my career- one that had me asking the big question - quit or push on? And I know in my heart I am meant to push on. But I hear the message loud and clear - it isn't a solo journey. It is a community effort. So this week I will be launching a crowd funding campaign and inviting you to partner with me to get there.

I have some really exciting backer rewards and incentives to show my gratitude and from now on, I am committed to sharing this journey, warts and all, by way of weekly updates here on the blog in a series called "Slow down Sunday Weekly Review". I'll talk about what happened in the studio - the highs and lows of it. What it looks like to be an artist behind the scenes. The steps I took to get from those fledgling years in the beginning to where I am today. Be sure to watch for my campaign to launch and sign up for email updates in the sidebar, as well as the e-newsletter under my contact tab so you don't miss a thing! Cause really, I mean it when I say, it isn't just for me. I know you are here because you are on a journey too.

Come on along with me and let's do this artful thing together!

(Update: the RocketHub campaign just went live. I have a newsletter announcing it going out first thing in the morning and ill blog about it later in the day tomorrow, but you don't have to wait! Check it out here.

Friday, March 07, 2014

Found Object Friday Series with Guest Artist Rick Farrell

Found Object Fridays: We artists love our collections don't we? Even as a child I remember foraging through flea markets and looking for special trinkets that caught my eye. Going for walks, to this day I find myself scanning the ground looking for interesting bits of metal or unique rocks to add to my collections. Long before I knew what I would be doing with them, I collected objects that pulled on something inside of me. As an artist I was thrilled to find there are others who love and collect little oddities and curiosities too.
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Rick and I met when he wandered in to my room during the Fine Arts Building's annual party this past December. Rick connected deeply with my use of salvaged materials and happily shared with me photos of his salvaged treasures. Rick has a keen eye for found material with sculptural qualities, seamlessly dry fitting pieces together without welds or connectors. I've selected three of the pictures from the wealth of objects Rick shared with me, and saving the rest for another day. Read the description of each object beneath the photo and then be sure to head over to Rick's facebook page (link in his bio below) and enjoy the intensely colored fabulous photos taken on his world travels.

All found objects. The three metal pieces were all found on the rail line. All the pieces are as is. Very little manipulation. The centerpiece I found in a junkyard and I actually had to pay one dollar. I put the light on it to make it more galleryesque. I have no idea what the original use was for the cut out.



The Freightliner object is a tire cover for a truck. The axle comes also from a truck depot near the garbage. I balanced it on a stand to give it more grace.


The three pieces on the bottom are my found objects. The centerpiece was found at my brother-in-law's recycling factory by my mother. She found it in a dumpster and gave it to me for my birthday. One of my better birthday presents. The two metal pieces to the sides are metal pieces that I found on the rail line. Since I do not know how to weld I have to find pieces that come together easily.

Bio-Rick Farrell is an outsider artist with no tangible artistic ability other than a keen eye for unusual objects developed over many years of traveling to Third World countries. Be sure to friend him on Facebook to see his stunning photography from his travels.

Wednesday, March 05, 2014

Studio Spotlight With Guest Artist Sue Stover

Over the course of ten Wednesday's join me in welcoming 10 guest artists as they share a glimpse into the spaces that foster their creative process. One of our ten guest bloggers referred to the artist's studio as "Sacred Space", and indeed it is just that for me. Working in the silence of my own studio is the place I am most easily able to connect to my Creator. As our guest artists share images of their own sacred spaces, they tell a bit of their creative process through the answers to four simple questions. Read about the artist in their bio and then explore the links each one will provide to get to know them a little more.

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This week we are getting a peek into a very special studio - exquisitely talented artist and fellow EncaustiCamp Instructor Susan Stover. It wasn't that long ago that Sue made the switch from daytime career path while moonlighting as an artist, to full time artist status, and not a moment too soon, as she is already making leaps and bounds into the world of professional fine arts. Come with me as we take a peek at her studio.


Sue Stover's Studio Interior

What is your favorite time of day to create and why?
Morning is my favorite time. The day is new, my husband is at work and my daughter is at school. It’s a quiet time when I get to reflect on the previous days work and I’m fresh to start again.

What do you love most about your studio?
I love that it is a separate building but still at home. I don’t get distracted by housework by being in the house and I can shut the door and walk away when I’m done. I love that it is just my space to mess up and fill up however I want. I love that I have a big window that looks out over our garden.

What can always be found in your work space?
Music. I also play the fiddle and love the instrumental old time style. It was traditionally dance music and is generally very upbeat. Some of the waltzes are really beautiful too. Other than music, you can usually find my dog, Lola, a chocolate lab in my studio. She likes to lay around nearby.

What medium would you want to learn if time were no issue?
If time were no issue, I would want to learn metalsmithing. I’ve always been interested in jewelry and would love to learn some of the finer techniques of working with metal.

Sue Stover's Studio Exterior

Bio

Susan Stover received a MFA from California College of Art in Oakland, CA and a BFA from Miami University in Oxford, Ohio with both degrees concentrating in a combination of textiles and painting. Among her professional experience is faculty at U.C. Davis, lab technician at CCA, and 10 years at Jacquard Products, a manufacturer of textile pigments and dyes. She has presented at CHA and NAMTA trade shows, the International Encaustic Artists conference and teaches workshops nationally and inter- nationally. Her paintings are in many private collections and her work was included in Wax and Paper Workshop by Michelle Belto (North Light Books) and Gathering Clouds - A Magazine of Contemporary Art. Susan maintains her studio in the northern California wine country where she resides with her husband and daughter.


Tuesday, March 04, 2014

Fly Me To The Moon ...Or At Least Seattle

I'm jumping on a plane and heading off to my first gallery show at IMA Gallery in Seattle, featuring yours truly and artist Alan Corky Hahn- Thursday March 6th. I am over the moon excited about this step in my journey as an artist and to celebrate (and make sure I can eat while I'm in there!) I'm offering four of my 6"x6" collage's at a substantial savings. The sale is only available here on my blog, regular pricing at my website, and only lasts through Saturday - check it out below- and if you're in the Seattle area be sure to come on out to IMA Gallery Thursday night!
"This Very Thing" 6" x 6" collage by Crystal Neubauer

"Afternoon Shadows" 6" x 6" collage by Crystal Neubauer

"Nothing Can Separate" 6"x 6" collage by Crystal Neubauer

"He Hears My Voice" 6" x 6" collage by Crystal Neubauer
Update: Each of these works will be available through my RocketHub campaign until April 1st. Check it out here.

Monday, March 03, 2014

Redemption Stories Series with Guest Artist Grace Carol Bomer

Redemption Stories Monday: Over the course of ten Monday's  I will be welcoming 10 guest artists as they share a story of redemption from their own life or work. These stories may be a broad overview or observation, or they may be very specific, deep and personal. The post may be very short or very lengthy. I have left the specifics up to each of the ten. View images of their work as you read their words, and bios. Be sure to check out the links each one will provide to learn even more about them and their work as an artist. 

Today I am so pleased to have guest artist, Grace Carol Bomer joining us. Grace is a painter from North Carolina whose style is exactly what I dream mine would be, if only I could paint. I deeply resonate with the overarching theme of redemption she presents in her work, as it is the central theme I connect with through my own. I experience a visceral response each time I view Grace Carol's beautiful paintings. I've been an admirer of her art for quite some time and was thrilled when she accepted my invitation for this series. Please join me in a warm welcome to artist Grace Carol Bomer as she shares with us her story.


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Thank you, Crystal, for inviting me to share my redemptive story.

But it is not about me. It is about the Grand Redemptive story found in the Scriptures – God's love letter. My statement reads, Grace Bomer's concern is the human condition surprised by the grace of God. It is “this grace in which I now stand” (Romans 5) and work. My artwork is a token of thankfulness, an attempt to fathom this redemption and to make visible the invisible; to glorify Christ who holds the visible world and the invisible world together. He is Spirit and flesh and He is Word of God and Image of God.

The cover image on my website is currently touring venues in Spain with ARTE-FE. It illustrates the centrality of redemption in my work. It shows a figure spreading a covering. The red paper in the center symbolizes the blood of Christ. I painted the figure negatively over a surface of collaged texts. This relates to my statement that Christ brings together word and image because he is The Word and The image of God.

This God came into time and space to redeem a people for Himself. The text referenced in this painting is Ezekiel 16:7-8. Later, I passed by, and when I looked at you and saw that you were old enough for love, I spread the corner of my garment over you and covered your nakedness. I gave you my solemn vow and you became mine,' declares the Lord God. (See http://gracecarolbomer.com/home.html to read the full statement.)

 Ready For Love 24 x 24 mixed media on canvas by Grace Carol Bomer

The next image is from a series called Global City Babel http://gracecarolbomer.com/section/297654_Global_City_Babel.html
It is an encaustic painting. It is about our brokenness after the Fall, and more specifically Eden. A snake skin is imbedded into the wax on the left and I have written the text across the horizon: "God put us in a garden," The Tower of Babel rests on the figure's shoulders. The title text Babel's Child is incised in a child-like manner across the bottom.

Babels Child 1 by Grace Carol Bomer

But God comes to us. He is the God who strives for us. He helps to heal and give meaning to our messed-up lives. The following painting began with the small etched image of Jacob wrestling with God - a photocopy from an old Dutch Bible I have.

Psalm 46 is about this God of Jacob and how he strives for us. I would like to insert it here to show how The Word influences my work. But read it or read my link about it. http://gracecarolbomer.com/artwork/2982373_Psalm_46_The_God_of_Jacob.html
It is through many divine appointments that God uses my artwork redemptively. Recently I spoke specifically about this painting to a large gathering – It was selected for a juried invitational show called Art of Faiths at Waterworks Visual Art Center.
Psalm 46 by Grace Carol Bomer
To see more artwork go to the various series on my Fine Arts link on my website.

Each series relates to redemption. For example Nets of God Series is an analogy between bird banding and God's redemptive choosing. (see poem), Vessel Series is about God's redemption of vessels (jars of clay) to show that this all-surpassing power is from God and not from me.) Bending To Love is his hesed love of redemption.

Prodigal God by Grace Carol Bomer
Bio
Grace is a native of Alberta, Canada. Her artistic career began in Kansas and continued in Asheville, NC, where she and her writer husband have lived since 1981. Grace received a BA in 1970 in Secondary Education in English and History and taught for six years in Canada, before she began studying and working professionally as a painter in 1976. Grace has shown nationally and internationally, most recently teaching and speaking at Luxan Academy of Fine Art in Shenyang, China. For a complete bio see her web site www.gracecarolbomer.com
Grace is currently working in mixed media, cold wax and oil. Her paintings attempt to resolve the dichotomy between word and image as she juxtaposes text and image and paint, making marks, layering, and stripping away, she searches for “the mystery” of a piece. Her work is often narrative and conceptually based on her biblical world-view. The poetry, allegory or metaphor in her work allows the viewer to glimpse of “the mystery hidden for ages,” and the transcendence of an eternally relevant story.
Her work has been called "a silent form of poetry," by the Asheville Times and in the words of Hans Rookmaaker, "a form of play rejoicing before the face of God.”